

Generation Radio – Take Two
Full Album Review
There’s something refreshing about hearing veteran musicians make music without chasing trends. No forced relevance. No trend-hopping production. No need to prove anything. Just seasoned artists leaning into melody, musicianship, harmony, and songs built to last.
That’s exactly what you get on Take Two, the newest release from Generation Radio.
Built around the pairing of Jason Scheff and Jay DeMarcus, this group blends classic melodic rock, polished adult contemporary, and country-pop songwriting instincts into one cohesive sound. The result is an album that feels warm, confident, and highly musical.
Why Jason Scheff Matters to Gen X Listeners
For many Gen X listeners around my age, Jason Scheff is the voice of Chicago.
While the band’s early era is legendary, Scheff fronted Chicago during the years many of us grew up with—when songs like Will You Still Love Me?, Look Away, What Kind of Man Would I Be?, and I Don’t Wanna Live Without Your Love were on the radio constantly. For a generation raised in the 80s and early 90s, his voice became the sound of Chicago in our everyday lives.
That connection matters, and it gives Take Two an immediate sense of familiarity and credibility.
A Record Built on Strengths
Jason Scheff still possesses one of the most recognizable voices in melodic music. His tone remains smooth, emotional, and expressive, bringing instant class to every track. Meanwhile, Jay DeMarcus adds the vocal layering, precision production, and hook sense that helped make Rascal Flatts one of the biggest harmony groups of their generation.
Together, they make music that values craft over hype.
Sound & Style
Take Two sits in a sweet spot between west coast rock, classic Chicago sophistication, Nashville polish, and timeless adult pop. You’ll hear tasteful guitars, lush keyboards, strong rhythm work, and harmonies arranged with purpose.
This isn’t an aggressive album. It’s a melodic one. It leans into emotional resonance rather than volume.
Best Songs on the Album
1. Montana Sky
A standout track with soaring melodies and a polished, cinematic feel. Strong chorus, excellent vocals, and one of the most immediate songs on the record.
2. The Melody
Heartfelt and warm, this track showcases the group’s songwriting strengths. Reflective lyrics and rich harmonies make it one of the emotional centerpieces of the album.
3. Grass Is Greener
One of the smoothest cuts on the album. It carries that west coast sophistication with a relaxed groove and mature lyrical perspective.
4. You're the Inspiration
Revisiting a Chicago classic is always risky, but this remake works because Jason Scheff doesn’t force it—he owns it naturally. His vocal performance is one of the strongest moments on the album, blending reverence for the original with the confidence of someone who understands the Chicago legacy from the inside. Scheff truly excels here, delivering warmth, control, and emotional sincerity.
Strengths
Vocals & Harmonies
This is where the album shines brightest. Scheff and DeMarcus understand how to blend voices, build choruses, and let songs breathe.
Songwriting
These songs come from life experience. Relationships, gratitude, perspective, perseverance—it all feels lived-in rather than manufactured.
Production
Clean, polished, professional. Nothing cluttered, nothing overdone.
Potential Criticisms
Listeners wanting heavier rock energy may find the album a little restrained. Those looking for edgy experimentation may see it as safe.
But for listeners who appreciate craftsmanship, those same qualities become strengths.
Final Verdict
Take Two is an album made by musicians who know exactly who they are. It doesn’t chase the moment—it trusts timeless strengths like melody, harmony, and emotional honesty.
For Gen X listeners especially, hearing Jason Scheff front a modern project is a reminder of an era when songs mattered, vocals mattered, and melody ruled radio.
Rating: 8.5 / 10
Recommended Tracks: Montana Sky, The Melody, Grass Is Greener, You're the Inspiration
Best For Fans Of: Chicago, Rascal Flatts, Richard Marx, Toto, and anyone who still values real songwriting.



